Having outgrown her role, a pampered child actor returns to her family and tries to be an ordinary youngster.

Invited to a Party? Stumped on what to bring? Don't worry. Impress your guests with fun recipes, drink ideas - etc.

Kiyoko plays a high school girl who overcomes her fear of the school’s popular girls clique, demonstrating an ability to be strong in the face of adversity.

German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.

Wolfgang Wagner's Bayreuth production of his grandfather's 'farewell to the world'has 'an unusual beauty and logic of its own ... with a double stress - on nature undefiled and on a form of religious symbolism ... There is an air of magic and mystery about the staging ... The performance was excellent ... Horst Stein conducted a beautifully proportioned Parsifal'. New York Times

A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the kingdom?

Drama Romance Musical

海莉出生在新西兰基督城的一个音乐世家。六岁时，她在学校的圣诞演出中被老师发掘了歌唱天赋。如今16岁的她，正在新西兰主修艺术。她那天籁般的美妙歌声，赢得了歌剧首席女主角的赞赏与指导。她天赋异禀，嗓音清亮无瑕，唱腔纯净自然。小小年纪，便凭借奇迹般的天使之音，从南半球的冠军歌手，摇身一变成为国际歌坛备受瞩目的新星。 起初，她出于好奇好玩自制CD，拿到街头售卖或送给亲友，没想到她的歌声让乡亲们惊叹不已，大家口口相传。天使之音通过媒体逐渐传播开来，全新西兰男女老少都被她的歌声所征服。她在新西兰发行的首张专辑，连续四周位居冠军宝座，击败了数位流行乐坛前辈，轻松斩获三白金销量，“新西兰歌坛新小天后”的名号不胫而走。后来，国际唱片大厂DECCA满怀信心地向全球推荐她，她那张人如其名、歌如其人的首张全球录音专辑《纯净》应运而生。她是纯净大地——新西兰的骄傲，如今全世界都能听见她的歌声！

The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.

David Alden's production of Wagner's grand romantic opera was recorded at the National Theatre in Munich, with Bayerische Staatsoper, in September 1994. Shot over three days by leading opera director Brian Large, this recording benefits from the ideal technical conditions made possible by a closed session. Alden, one of the most iconoclastic interpreters of classical opera, stirs up the visionary, erotic, and archetypal elements in Wagner's work. The cold, forbidding aspect of the stylized and predominantly monochrome sets and costumes by Roni Toren and Buki Shiff manifests the strait-jacket of tradition from which Tannhäuser seeks to free himself in this powerful opera.